Take what you can carry
- Continuity evident. Between scenes the continuity is not explained.
- Objects are despicable however the feeling from a collision of two images is not.
- The sum of two images is not the answer but the product.
Eisenstein cream separator sequence
88:88
- First 4 images people are looking in different directions though at the same object causing collisions.
- Eliminated the intervals between the sharply contrasted polar stages of a faces expression. Causes greater sharpness. Doubt vs joy shown in faces.
88:88
- No story, no continuity. Disposable images with glitches and imperfections.
- Collides images of his friends together.
- Birds collided with dust. Looking similar. Visual comparison. Undepictable beauty.
- Burger collided with donuts.
- Surfaces. Visual comparison of lines on surfaces puddle cracks on floor floor…
- Same person. Colour vs none. Night vs day. Front vs back. How she is to him vs how she is to the world.
- He achieves pushing the realm of depiction to the realm of the idea.
- Characters Possibility. Characters Sensibility. Goes beyond facts.
- Time is a theme.
- Sharing, relationships, poverty.
88:88s name comes from...
Infinity.
What your alarm clock looks like when the power is cut.
